I am a PhD candidate at UCLβs SpaceTimeLab, supervised by Dr James Haworth and Dr Stefano Cavazzi. My research is funded by UKRI (EPSRC) and Ordnance Survey (OS).
I study how people use LLMs (chatbots) for geospatial tasks: what they ask, how they ask it, and what this reveals about human spatial information behaviour at scale. I work at the intersection of GIScience, GeoAI, NLP, and HCI, using query logs and conversational AI datasets to characterise spatial information needs across interfaces. Iβm particularly interested in subjective geospatial questions: those that go beyond what deterministic GIS can answer, and expose the gap between place as data and place as lived experience.
I am a co-founder and CTO of Safest Way, a Geovation-backed startup developing safety-focused pedestrian navigation. Learn more on the BBC, ITV, The Standard, or The Conversation .
Selected Publications (all publications β)
See the full publications list for all papers, including as co-author.
Professional experience
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Intern (Responsible AI Team), Nokia Bell Labs (summer 2026)
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Intern (Data-Centric Engineering), The Alan Turing Institute (autumn 2025)
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Data engineer, Geolytix (2022β2025)
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Full-stack developer, CTData Collaborative (2018β2022)
Teaching
As a postgraduate teaching assistant at UCL (2024β25) and lab demonstrator at Birkbeck (2025β26), I have supported modules in geospatial programming, spatial analysis, and data analytics.
Education
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PhD in Spatial Information Behaviour and Responsible GeoAI β University College London (UCL), 2023β2027
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MSc in Geographic Information Science (Distinction) β University of Leeds, 2019β2022
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BSc in Computer Science and Studio Arts (summa cum laude, Phi Beta Kappa) β Trinity College (Connecticut), 2014β2018
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Worcester College, University of Oxford β Visiting student focusing on machine learning and game theory, 2016β2017
Hands-On Data Visualization
Hands-On Data Visualization: Interactive Storytelling from Spreadsheets to Code (OβReilly), co-authored with Jack Dougherty. Available open-access in English, and translated into Korean and Traditional Chinese.
Since 2022, all royalties (currently over $5,000) have been donated to humanitarian relief efforts in Ukraine, most recently to The HALO Trust.
